​Kerman pictorial 343x244
Reminiscent of the renowned Louis XIV tapestry this masterpiece depicts the "Dance of the Nymphs" and fetches inspiration from the prominent works of the Italian Renaissance painter and architect Raphael (1483-1520). Naser al-Din Shah Qajar, (1831-1896) the third longest reigning monarch king of Iran was the first royalty to visit Europe and throughout his reign he successfully introduced Western influences to his country. He was extremely passionate about art and had several of Raphael's paintings hanging in the majestic Golestan Palace Museum. During the early 19th century it became fashionable for the most affluent figures of Persian society to order tailour made quality carpets to adorn their mansions and palaces. Only the highest ranked, most talented and experienced weavers in the country were trusted to carry out these projects. The trend was to artistically combine the best of two worlds: a glorious Renaissance inspired centrepiece that cleverly blends with a personalised Persian styled border depicting elements of historically intrinsic value.

Strategic isolation
Carpets such as this were unsurpassed and Kerman became a recongnised leader in the creation of some of the finest of Persian carpets in the early 1900's. The success is undoubtedly due to the area's strategically isolated location. Kerman remained untouched from interference from the outside world and artistic expression flourished. This pictorial masterpiece serves as a fine example of a well preserved carpet commissioned for a high ranking family during the Qajar dynasty.

The best of two worlds
The chirubs and godly figures, ornamental vase and musical instruments such as the pan flute that appear in the original tapestry have been magnificently incorporated into the carpet with utmost precision. This strikes an elegant contrast to the profoundly Persian heritage border. An artistic integration of exotic animals and a traditional Milfleur design border portray symbolic meaning and Western influence during this era of Persian history. A prime collector's piece of historical importance with an increasing market value.

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